#antebellumfilmschool: Ep. 13 - Nigga: History, Identity, and the Vernacular of cinema (Part 1)
But then when you think of directors like Charles Barnett and what he did with killer of sheep and how he know humanity and life in, I believe, what is Watts in LA during that time period with his film in black and white, it feels very italian neorealistic, where it feels documentary, where you see these kids jumping from the roof to roof and the plights of people working jobs and trying to make it