Mine is a montage that is kind of riffing in a very visual way on the things that showed up in the previous minute but moving them and distorting them so that they're remixed into this other mood, which has been a lot of fun. And I did have a lot to work with because it was really plotty
So I went to this comic book event with comic artists where we all had to draw together a picture and we couldn't see what someone had done before or after us, but we just had to do our own bit. And at the end, you would unfold the image, and it was just this collective image of I think we had some sort of brief assignment, but it wasn't really that clear. And, yeah, it was really beautiful, and I love that kind of stuff
Romie herself
@Romiesays · 4:56
You know, it's interesting that you would say that about characterizing my my work as a filmmaker, because I think it's very accurate. But I also think it's not the read that most people have on me based on the work I do for other people, because if I'm working on somebody else's thing, I'm very, very careful full about the details because they're important and I care about getting them right for the person who's asked me to get them right
And I think that's what I like about your filmmaking as well. You were talking about perfection and I love Christopher Nolan movies. Like, they're very cyclical and very perfect and just absolutely beautiful. And you just think, wow, we're so lucky to have him. He's a master filmmaker and he's so cerebral as well. And just thank goodness. What a blessing. But I think about Scorsese, I always hated Scorsese growing up, actually